<3 : Adele Wins Six Grammy Awards + Full List of Winners
The British singer won six Grammy Awards for - Record of the Year - Rolling in the Deep. Song of the Year - Rolling In the Deep. Album of the Year - 21. Best Pop Solo Performance - Someone like you. Best Pop Vocal Album - 21, and Best Short Form Music Video
The full list of winners when you continue...
Record of the Year – Rolling In The Deep, Adele
Album of the Year – 21, Adele
Song of the Year – Rolling In The Deep, Adele
Best New Artist – Bon Iver
Best Pop Solo Performance –Someone Like You, Adele
Best Pop Duo/Group Performance – Body And Soul , Tony Bennett & Amy Winehouse
Best Pop Vocal Album – 21, Adele
Best Dance Recording - Scary Monsters and Nice Sprites, Skrillex
Best Dance/ Electronica Album - Scary Monsters and Nice Sprites, Skrillex
Best Traditional Pop Vocal Album – Duets II, Tony Bennett & Various Artists
Best Rock Performance – Walk, Foo Fighters
Best Rock Song – Walk, Foo Fighters
Best Rock Album - Waiting Light, Foo Fighters
Best R&B Performance – Is This Love, Corinne Bailey Rae
Best R&B Song – Fool For You
Best R&B Album – F.A.M.E., Chris Brown
Best Rap Performance – Otis, Jay-Z and Kanye West
Best Country Solo Performance – Mean, Taylor Swift
Best Country Song – Mean, Taylor Swift
Best Short Form Music Video – Adele
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Monday, 13 February 2012
hmmmmm..... see as e dey go for GRAMMY AWARD
February 12, 2012. 
Grammy Awards 2012: Adele wins 6 awards as stars pay tribute to Whitney Houston
Adele performs onstage at the 54th Annual Grammy Awards on Feb. 12, 2012, in Los Angeles. (Credit: Getty)
(CBS/AP) LOS ANGELES - Updated 11:56 p.m. ET
Adele emerged as the top winner at Sunday's Grammy Awards, winning six trophies including the prestigious trifecta of record, song and album of the year.
The British songstress, who also made a triumphant comeback from vocal cord surgery on the Grammy stage, sobbed as she won the night's final award, album of the year, for "21." It was last year's top-selling album with more than six million copies sold and remains lodged at the No. 1 spot on this year's charts.
Pictures: Grammy Awards red carpet arrivals
Pictures: Highlights from the ceremony
Pictures: Stars in the press room
Special Section: The 2012 Grammys
Special Section: Death of a pop diva
Her victories tied her with Beyonce as the most wins by a woman in one evening.
"Mom, gold is good!" Adele shouted as she took the album of he year trophy.
The celebration of Adele came on a night where the Grammys marked the loss of one of music's great female voices - and one of its most prized talents overall. Whitney Houston died the night before the Grammys, casting a shadow over music's biggest night.
But while her death lent a somber overtone to the evening's show, it did not overwhelm it, perhaps best proved by the show's closing number, a jam session featuring Paul McCartney, Bruce Springsteen, Tom Petty, and Dave Grohl among others.
The night's other big winners were Grohl's Foo Fighters, who won five Grammys. Kanye West, who was the night's top nominee with seven, won four awards.
Among the evening's performances was a dance-heavy number by Chris Brown, a performance by Paul McCartney and by Bruce Springsteen, who kicked off the show by performing his new song "We Take Care of Our Own," a rousing song that references the troubles of the nation.
But the evening's most moving moment came as Jennifer Hudson - who has called Houston an inspiration and one of her biggest idols - emerged to sing one of Houston's signature songs, "I Will Always Love You." Dressed in black, with only the accompaniment of a piano, Hudson appeared to fight back tears as she sang the song, ending with the line, "Whitney, we will always love you."
The show started off on a somber note, as host LL Cool J appeared in black, and told the audience: "There is no way around this. We've had a death in our family." He then led the audience in prayer to "our fallen sister."
"Heavenly father, we thank you for sharing our sister Whitney with us," he said. "Though she is gone too soon, we remain truly blessed to have been touched by her beautiful spirit." Stars like Lady Gaga and Miranda Lambert bowed their heads in silence. So did Mitch and Janis Winehouse, parents of Grammy winner Amy Winehouse, who died in July at age 27.
He then introduced a clip of a glowing Houston singing "I Will Always Love You." In his performance of "Runaway Baby," Bruno Mars also mentioned the death: "Tonight we're celebrating. Tonight we're celebrating the beautiful Miss Whitney Houston."
Stevie Wonder also paid tribute: "To Whitney up in heaven, we all love you."
The show, as usual, was heavy on performances more than awards. Among those was Chris Brown, who was performing on the Grammy stage for the first time since he dropped out of 2009's broadcast; his attack on Rihanna the night before led to both of their absences, an assault charge for Brown and a career low.
But 2011 marked a comeback for Brown, who performed twice during the show and won best R&B album: "First and foremost, I gotta thank God, and thank the Grammys for letting me get on this stage and do my thing," he said. "All my fans, I love you. We got one. Thank you."
The ceremony also marked first time he and Rihanna performed at the same event since the attack (she sang solo and with Coldplay during the ceremony).
Justin Vernon, whose band Bon Iver beat Nicki Minaj, The Band Perry, J. Cole and Skrillex for best new artist, accepted the award with admittedly mixed emotions.
"It's really hard to accept this award. Well, there's so much talent out here, like on this stage. There's a lot of talent that's not here tonight. It's also hard to accept because when I started to make songs I did it for the inherent reward of making songs, so I'm a little bit uncomfortable up here," he said. "But with that discomfort I do have a sense of gratitude. I want to say thank you to all the nominees, all the non-nominees that have never been here and never will be here."
The Grammys did their best to keep a tone that balanced the many moods of the night: The Foo Fighters performed in a tent outside the Staples Center, where the awards were being held, amid a throng of bouncing fans; but moments earlier, Alicia Keys and Bonnie Raitt paid tribute to Etta James, the legend who died last month.
There was also a tribute to the recently reunited Beach Boys that featured Maroon 5, Foster the People and Mike Love, Al Jardine and Brian Wilson, the three remaining members of the Rock and Roll Hall of Fame band, all pitch-perfect as they brought the group's California rock sound and harmonies back to life.
Other performances came from Kelly Clarkson and Jason Aldean, Taylor Swift and Katy Perry. Glen Campbell, who announced his retirement last year after disclosing he had Alzheimer's disease, performed with The Band Perry and Blake Shelton, singing his classic hit, "Rhinestone Cowboy."
The Foo Fighters and Brown also returned for another dance-themed performance, a first for the Grammys. It also featured deadmau5, David Guetta and Lil Wayne.
And with Lady Gaga not performing, Minaj stepped in to give the night's most bizarre performance. The rapper's number included a clip that referenced "The Exorcist" and a stage show that had her levitating on stage amid a church-like background, with hooded choir members and religious imagery.
The ceremony also marks the first since a major overhaul of the categories last year: They were trimmed from 109 to 78
Grammy Awards 2012: Adele wins 6 awards as stars pay tribute to Whitney Houston
Adele performs onstage at the 54th Annual Grammy Awards on Feb. 12, 2012, in Los Angeles. (Credit: Getty)
(CBS/AP) LOS ANGELES - Updated 11:56 p.m. ET
Adele emerged as the top winner at Sunday's Grammy Awards, winning six trophies including the prestigious trifecta of record, song and album of the year.
The British songstress, who also made a triumphant comeback from vocal cord surgery on the Grammy stage, sobbed as she won the night's final award, album of the year, for "21." It was last year's top-selling album with more than six million copies sold and remains lodged at the No. 1 spot on this year's charts.
Pictures: Grammy Awards red carpet arrivals
Pictures: Highlights from the ceremony
Pictures: Stars in the press room
Special Section: The 2012 Grammys
Special Section: Death of a pop diva
Her victories tied her with Beyonce as the most wins by a woman in one evening.
"Mom, gold is good!" Adele shouted as she took the album of he year trophy.
The celebration of Adele came on a night where the Grammys marked the loss of one of music's great female voices - and one of its most prized talents overall. Whitney Houston died the night before the Grammys, casting a shadow over music's biggest night.
But while her death lent a somber overtone to the evening's show, it did not overwhelm it, perhaps best proved by the show's closing number, a jam session featuring Paul McCartney, Bruce Springsteen, Tom Petty, and Dave Grohl among others.
The night's other big winners were Grohl's Foo Fighters, who won five Grammys. Kanye West, who was the night's top nominee with seven, won four awards.
Among the evening's performances was a dance-heavy number by Chris Brown, a performance by Paul McCartney and by Bruce Springsteen, who kicked off the show by performing his new song "We Take Care of Our Own," a rousing song that references the troubles of the nation.
But the evening's most moving moment came as Jennifer Hudson - who has called Houston an inspiration and one of her biggest idols - emerged to sing one of Houston's signature songs, "I Will Always Love You." Dressed in black, with only the accompaniment of a piano, Hudson appeared to fight back tears as she sang the song, ending with the line, "Whitney, we will always love you."
The show started off on a somber note, as host LL Cool J appeared in black, and told the audience: "There is no way around this. We've had a death in our family." He then led the audience in prayer to "our fallen sister."
"Heavenly father, we thank you for sharing our sister Whitney with us," he said. "Though she is gone too soon, we remain truly blessed to have been touched by her beautiful spirit." Stars like Lady Gaga and Miranda Lambert bowed their heads in silence. So did Mitch and Janis Winehouse, parents of Grammy winner Amy Winehouse, who died in July at age 27.
He then introduced a clip of a glowing Houston singing "I Will Always Love You." In his performance of "Runaway Baby," Bruno Mars also mentioned the death: "Tonight we're celebrating. Tonight we're celebrating the beautiful Miss Whitney Houston."
Stevie Wonder also paid tribute: "To Whitney up in heaven, we all love you."
The show, as usual, was heavy on performances more than awards. Among those was Chris Brown, who was performing on the Grammy stage for the first time since he dropped out of 2009's broadcast; his attack on Rihanna the night before led to both of their absences, an assault charge for Brown and a career low.
But 2011 marked a comeback for Brown, who performed twice during the show and won best R&B album: "First and foremost, I gotta thank God, and thank the Grammys for letting me get on this stage and do my thing," he said. "All my fans, I love you. We got one. Thank you."
The ceremony also marked first time he and Rihanna performed at the same event since the attack (she sang solo and with Coldplay during the ceremony).
Justin Vernon, whose band Bon Iver beat Nicki Minaj, The Band Perry, J. Cole and Skrillex for best new artist, accepted the award with admittedly mixed emotions.
"It's really hard to accept this award. Well, there's so much talent out here, like on this stage. There's a lot of talent that's not here tonight. It's also hard to accept because when I started to make songs I did it for the inherent reward of making songs, so I'm a little bit uncomfortable up here," he said. "But with that discomfort I do have a sense of gratitude. I want to say thank you to all the nominees, all the non-nominees that have never been here and never will be here."
The Grammys did their best to keep a tone that balanced the many moods of the night: The Foo Fighters performed in a tent outside the Staples Center, where the awards were being held, amid a throng of bouncing fans; but moments earlier, Alicia Keys and Bonnie Raitt paid tribute to Etta James, the legend who died last month.
There was also a tribute to the recently reunited Beach Boys that featured Maroon 5, Foster the People and Mike Love, Al Jardine and Brian Wilson, the three remaining members of the Rock and Roll Hall of Fame band, all pitch-perfect as they brought the group's California rock sound and harmonies back to life.
Other performances came from Kelly Clarkson and Jason Aldean, Taylor Swift and Katy Perry. Glen Campbell, who announced his retirement last year after disclosing he had Alzheimer's disease, performed with The Band Perry and Blake Shelton, singing his classic hit, "Rhinestone Cowboy."
The Foo Fighters and Brown also returned for another dance-themed performance, a first for the Grammys. It also featured deadmau5, David Guetta and Lil Wayne.
And with Lady Gaga not performing, Minaj stepped in to give the night's most bizarre performance. The rapper's number included a clip that referenced "The Exorcist" and a stage show that had her levitating on stage amid a church-like background, with hooded choir members and religious imagery.
The ceremony also marks the first since a major overhaul of the categories last year: They were trimmed from 109 to 78
Saturday, 4 February 2012
9ICE : I ONCE PUSHED CARTS AT ALADE MARKET TO SURVIVE
How I survived as cart pusher in Alade market – 9ice
February 4, 2012
By Ogbonna Amadi, Entertainment Editor
•Says he’s forgiven ex-wife Toni but… •Speaks on his double album
Call him whatever names you like, it does not remove the fact that music sensation, 9ICE, real names Abolore Akande stands a world apart from many of his contemporaries with his genre of music and bluesy delivery. With an album that every track is a little masterpiece and a reflection of his wealth of experience on the streets, 9ICE in this interview with Showtime Celebrity recalled how many things fell into place to create a double album that is powerfully raw and is fast creeping to have a chart-topping commercial success with an ambitious concert come March .
Then hear this: Never, say never. To all fans of 9ICE there are indications that he may not have fallen out of love with ex-wife Toni Payne. Next time, you see her in his arms, remember love conquers all.
Finally, the Bashorun Gaa and Versus albums is out, what kept you so long?
What kept us so long, was that so many things happened when we released the last album. The album took a long time before it picked up. While it was picking up we didn’t want to put out any other album that will disturb the sales of the album. That is why we relaxed to allow the album sell before we released another.
Were you just experimenting or was it deliberate to have a lot of tracks on that double album?
It was neither of the two. Everything just happened the way it happened. People just believe if he is saying this, he is singing about this, this is happening, and then it is a premeditated song or he has had the idea even while he was recording the song.
Some of the stuffs were probably from your experiences…
Most of the songs on the Traditional album were personal experiences and things happening in the society that most Nigerian artistes don’t talk about. They are too busy doing other things. So I said, let me talk about these things or subjects. I thought that, by talking about these issues, I will attract some set of people to my own side. It was deliberate.
In sports, you do not change the winning team. Gongo Aso was a huge hit and most of the tracks were produced by Cabasa; what led to this variety of producers?
Now, if you listen to, say ten hits songs recorded from 2010 till now, you will see a whole lot of changes in the Nigerian music scene entirely. There are lots of upcoming producers that are doing so well. And it will be wrong for the so called already made artistes not to encourage them, by patronising them. It is a way of expanding the industry and bringing in new people to the scene. It helps the industry grow. But that does not mean you abandon the producer you’ve been working with before, no. A little bit of this and that, makes a better album.
There are speculations there is a crack in your relationship with ID Cabasa
People have talked about that but there is no truth in the that story. There was a time Cabasa was signed to a label and released an album. I was part of the project. There was a time he signed on an artiste, while he was working with Olamide, I was part of it. There nothing he does that I’ve not been part of. There is a Yorubas proverb that says Ogun omode o le s’ere fun ogun odun(Twenty children cannot play together for twenty years). Ajasa lives in Ikorodu. Jahbless stays along Lagos- Ibadan expressway, I live in Abule- Egba while Cabasa stays in Akoka. We cannot be as together as we were before but that does not mean when we have something in common to do I will not be part of it.

How true is the story that you dumped Olamide for Vector on the track that you had Vector?
(Smiles) I’ve known Vector for a long time. And Olamide is very close to me. He lives three blocks away from my house; I’ve known Olamide even before I met Cabasa. And he has been with me ever since. Olamide is like my brother. And I can’t push away my brother to bring in an outsider. But then, Vector is my brother too. As a student of the University of Lagos, he was always around me whenever I go to have my hair cut in the school.
And when he passed out from the University, he came to tell me. He also told me he now raps. I said to him okay, bring the song. And while we were working on the song, I was also working on my own song. I said OK, why not do something on this song as well and he did it and that was it. Most of the songs that we recorded on the Versus album were not meant to be. Whizkid, Tiwa Savage, were not meant to be on the album.
Because we lost the hard-drive where we had most of the data and the marketer was waiting for us to submit the album, we invited Whizkid and Tiwa to join us in the studio. It was a turn around thing that I never expected and surprisingly, those songs are now doing well.
Why do you keep changing your marketers? Is there something they or you are doing wrong?
It is not me, they are the ones. St. Jude is yet to give us a dime from the first album. We printed 50,000 copies of the first album ourselves. He sold them and he is yet to remit that money. After that he printed an additional 300,000 copies, yet he didn’t pay a dime to me or the record label owner Ibrahim Okulaja.
Will you encourage me to do another business with such a person? When Afrobest sold out Gongo Aso and was making a lot of money, I warned him against signing up unknown artistes in a hurry but he would not listen. But he went ahead and signed almost all Nigerian artistes and the money went away. Till date, Afrobest still owes me. I cannot do another business with such a person.
Gbenga Soforte and I did Tradition. When the Versus and Bashorun Gaa albums wanted to drop, he said he wanted the whole 65,000 and I said no. This time around I’ve been in the industry for quite sometime, my dreams and inspirations are quite different now. We disagreed on principles. We had no problem with money or that he did not meet my expectations. He did everything to please me, but what I want now is not what he can afford. So I had to go to who could give me what I want. And that is what happened. T Joe is giving me what I want and that’s cool with me.
Do you still have your mind on winning the Grammy?
Most definitely. May be when I win a Grammy I will retire.
Do you have any plan to collaborate with foreign artistes?
Yes. We were supposed to do that on this Versus‘ album but because it was taking too long and people were no longer ready to wait anymore, we had to fast forward everything. Probably in my forthcoming album we will have international artistes involved.
Don’t you consider yourself a misunderstood person, before the media and some of your colleagues?
Definitely. I’m not the type that talks recklessly. It is what people hear from you that they will feed on. So, I cannot blame people writing what they write about me because when they have a one on one chat with me they will have a different view of my person. But how many people will I be able to have interviews with when they have the materials on their desks and are in a hurry to meet up with their deadline to publish. But when they have a one- on- one with me they will have a change of mind.
Do you enjoy your single life?
I will not say so. But now I think, If I say I want to travel to Lokoja, I can easily go because my son, Zion will not be crying on my neck, ‘daddy do not go’. Yes the freedom is there, but there are some elements that are missing in my life that I enjoyed as a married man.
Like what?
Like waking up in the morning and my food is served and waiting on the table. Listening to the cries of the baby is also a very joyous moment to me. Now I no longer have the baby to cuddle and hold on to, because he is not there. These are
the things I miss in marriage.

You feel more comfortable signing in Yoruba, am I right?
Yeah. I feel more comfortable singing in Yoruba because it is my local dialect and Yoruba has been the medium that I have used in all my albums, It has taken me this far. I will continue using that language.
Do you do you do any consultations or researches on the those Yoruba innuendos and idioms you use in your songs?
9ice and Toni...when the going was good
Yeah. I make researches and consultations now, but when I was doing it then, I was just doing it for the fun because those were natural and they come without tasking myself. Now when I am talking about something, I make sure they are well researched and on point. Like the Bashorun Gaa album, I had to make researches to ensure that what I am saying is on point. And if there are some proverbs I’d want to use, I consult the elderly people. I am making my researches that way.
I think it is in the track, Everyday that you mentioned you pushed the cart in Alade Market, is that a real experience?
A lot of people think it is Alade Market on Allen Avenue. But there is an Alade Market in Bariga. Truth is, the Alade Market on Allen Avenue, Ikeja is more popular than the one in Bariga.
We used to push carts loaded with Ewedu and Ugu vegetables for market women who come to the market to buy in bulk but cannot handle their wares because they loads on their heads. So while they carry some on their heads we will be pushing the rest in the cart behind them. Sometimes, because some bad boys run away with their goods, they insist we push the carts ahead of therm so they can see the movement of their goods. Those were some of the things that I did in those days to survive.
How much were you earning per day then?
Then if you push the cart with Ewedu and Ugu from Alade which is in Jagunmolu or from Jagunmolu to Okoko you will earn at-least N100:00 (One hundred naira).
So 9ice, having gone through this, how well are you giving back considering the fact that many boys are still on the streets?
We did a show last year in Bariga on Christmas day. We realised that on Christmas Day Bariga can be so boring. So instead of letting the people go to Lekki to go and watch shows which many cant afford, we brought a show to them. It was a free show. Today we have provided free pipe-borne water people living on my street. And we are trying to do more. I have done the same for the community I live currently. I am still trying to do more, like sharing free textbooks to secondary and primary schools’ students through the 9ice Foundation.
Do you forgive people when they offend you?
Yes, definitely I do because even God forgives us when we offend Him. So I have to forgive and let go.
Have you forgiven Toni?
Most definitely, I can call her now. We are friends. If you want me to call her now, I will call her now.
Will you give love another chance?
Definitely.
With Toni?
No, it might not be with her but I will definitely give love a chance. And it might be with her as well, who knows?
So love between you and her is not ruled out?
Yes. It is not ruled out.
What about marriage?
To give marriage a second chance, abi? Yes, I can remarry. Of-course, it is possible.
You can remarry Toni?
It is possible. Anything is possible.
What are the expectations regarding your concert that is coming up in March?
People should expect me to sing songs from the new album. And it is been a long time that I did a live-band performance because a lot of people do not know that I started with a live band. That day I will be doing some songs live and King Sunny Ade and K1 ‘D’ Ultimate will be performing live on that day as well. And all the artistes that I featured on that album will be performing live on stage.
So what is the deal with Cecil Hammond’s FlyTime?
FlyTime is the one packaging this event for me as they have done for other artistes. I believe if this event scales through it is going to be like breaking a barrier and moving to the next level.
February 4, 2012
By Ogbonna Amadi, Entertainment Editor
•Says he’s forgiven ex-wife Toni but… •Speaks on his double album
Call him whatever names you like, it does not remove the fact that music sensation, 9ICE, real names Abolore Akande stands a world apart from many of his contemporaries with his genre of music and bluesy delivery. With an album that every track is a little masterpiece and a reflection of his wealth of experience on the streets, 9ICE in this interview with Showtime Celebrity recalled how many things fell into place to create a double album that is powerfully raw and is fast creeping to have a chart-topping commercial success with an ambitious concert come March .
Then hear this: Never, say never. To all fans of 9ICE there are indications that he may not have fallen out of love with ex-wife Toni Payne. Next time, you see her in his arms, remember love conquers all.
Finally, the Bashorun Gaa and Versus albums is out, what kept you so long?
What kept us so long, was that so many things happened when we released the last album. The album took a long time before it picked up. While it was picking up we didn’t want to put out any other album that will disturb the sales of the album. That is why we relaxed to allow the album sell before we released another.
Were you just experimenting or was it deliberate to have a lot of tracks on that double album?
It was neither of the two. Everything just happened the way it happened. People just believe if he is saying this, he is singing about this, this is happening, and then it is a premeditated song or he has had the idea even while he was recording the song.
Some of the stuffs were probably from your experiences…
Most of the songs on the Traditional album were personal experiences and things happening in the society that most Nigerian artistes don’t talk about. They are too busy doing other things. So I said, let me talk about these things or subjects. I thought that, by talking about these issues, I will attract some set of people to my own side. It was deliberate.
In sports, you do not change the winning team. Gongo Aso was a huge hit and most of the tracks were produced by Cabasa; what led to this variety of producers?
Now, if you listen to, say ten hits songs recorded from 2010 till now, you will see a whole lot of changes in the Nigerian music scene entirely. There are lots of upcoming producers that are doing so well. And it will be wrong for the so called already made artistes not to encourage them, by patronising them. It is a way of expanding the industry and bringing in new people to the scene. It helps the industry grow. But that does not mean you abandon the producer you’ve been working with before, no. A little bit of this and that, makes a better album.
There are speculations there is a crack in your relationship with ID Cabasa
People have talked about that but there is no truth in the that story. There was a time Cabasa was signed to a label and released an album. I was part of the project. There was a time he signed on an artiste, while he was working with Olamide, I was part of it. There nothing he does that I’ve not been part of. There is a Yorubas proverb that says Ogun omode o le s’ere fun ogun odun(Twenty children cannot play together for twenty years). Ajasa lives in Ikorodu. Jahbless stays along Lagos- Ibadan expressway, I live in Abule- Egba while Cabasa stays in Akoka. We cannot be as together as we were before but that does not mean when we have something in common to do I will not be part of it.

How true is the story that you dumped Olamide for Vector on the track that you had Vector?
(Smiles) I’ve known Vector for a long time. And Olamide is very close to me. He lives three blocks away from my house; I’ve known Olamide even before I met Cabasa. And he has been with me ever since. Olamide is like my brother. And I can’t push away my brother to bring in an outsider. But then, Vector is my brother too. As a student of the University of Lagos, he was always around me whenever I go to have my hair cut in the school.
And when he passed out from the University, he came to tell me. He also told me he now raps. I said to him okay, bring the song. And while we were working on the song, I was also working on my own song. I said OK, why not do something on this song as well and he did it and that was it. Most of the songs that we recorded on the Versus album were not meant to be. Whizkid, Tiwa Savage, were not meant to be on the album.
Because we lost the hard-drive where we had most of the data and the marketer was waiting for us to submit the album, we invited Whizkid and Tiwa to join us in the studio. It was a turn around thing that I never expected and surprisingly, those songs are now doing well.
Why do you keep changing your marketers? Is there something they or you are doing wrong?
It is not me, they are the ones. St. Jude is yet to give us a dime from the first album. We printed 50,000 copies of the first album ourselves. He sold them and he is yet to remit that money. After that he printed an additional 300,000 copies, yet he didn’t pay a dime to me or the record label owner Ibrahim Okulaja.
Will you encourage me to do another business with such a person? When Afrobest sold out Gongo Aso and was making a lot of money, I warned him against signing up unknown artistes in a hurry but he would not listen. But he went ahead and signed almost all Nigerian artistes and the money went away. Till date, Afrobest still owes me. I cannot do another business with such a person.
Gbenga Soforte and I did Tradition. When the Versus and Bashorun Gaa albums wanted to drop, he said he wanted the whole 65,000 and I said no. This time around I’ve been in the industry for quite sometime, my dreams and inspirations are quite different now. We disagreed on principles. We had no problem with money or that he did not meet my expectations. He did everything to please me, but what I want now is not what he can afford. So I had to go to who could give me what I want. And that is what happened. T Joe is giving me what I want and that’s cool with me.
Do you still have your mind on winning the Grammy?
Most definitely. May be when I win a Grammy I will retire.
Do you have any plan to collaborate with foreign artistes?
Yes. We were supposed to do that on this Versus‘ album but because it was taking too long and people were no longer ready to wait anymore, we had to fast forward everything. Probably in my forthcoming album we will have international artistes involved.
Don’t you consider yourself a misunderstood person, before the media and some of your colleagues?
Definitely. I’m not the type that talks recklessly. It is what people hear from you that they will feed on. So, I cannot blame people writing what they write about me because when they have a one on one chat with me they will have a different view of my person. But how many people will I be able to have interviews with when they have the materials on their desks and are in a hurry to meet up with their deadline to publish. But when they have a one- on- one with me they will have a change of mind.
Do you enjoy your single life?
I will not say so. But now I think, If I say I want to travel to Lokoja, I can easily go because my son, Zion will not be crying on my neck, ‘daddy do not go’. Yes the freedom is there, but there are some elements that are missing in my life that I enjoyed as a married man.
Like what?
Like waking up in the morning and my food is served and waiting on the table. Listening to the cries of the baby is also a very joyous moment to me. Now I no longer have the baby to cuddle and hold on to, because he is not there. These are
the things I miss in marriage.

You feel more comfortable signing in Yoruba, am I right?
Yeah. I feel more comfortable singing in Yoruba because it is my local dialect and Yoruba has been the medium that I have used in all my albums, It has taken me this far. I will continue using that language.
Do you do you do any consultations or researches on the those Yoruba innuendos and idioms you use in your songs?
9ice and Toni...when the going was good
Yeah. I make researches and consultations now, but when I was doing it then, I was just doing it for the fun because those were natural and they come without tasking myself. Now when I am talking about something, I make sure they are well researched and on point. Like the Bashorun Gaa album, I had to make researches to ensure that what I am saying is on point. And if there are some proverbs I’d want to use, I consult the elderly people. I am making my researches that way.
I think it is in the track, Everyday that you mentioned you pushed the cart in Alade Market, is that a real experience?
A lot of people think it is Alade Market on Allen Avenue. But there is an Alade Market in Bariga. Truth is, the Alade Market on Allen Avenue, Ikeja is more popular than the one in Bariga.
We used to push carts loaded with Ewedu and Ugu vegetables for market women who come to the market to buy in bulk but cannot handle their wares because they loads on their heads. So while they carry some on their heads we will be pushing the rest in the cart behind them. Sometimes, because some bad boys run away with their goods, they insist we push the carts ahead of therm so they can see the movement of their goods. Those were some of the things that I did in those days to survive.
How much were you earning per day then?
Then if you push the cart with Ewedu and Ugu from Alade which is in Jagunmolu or from Jagunmolu to Okoko you will earn at-least N100:00 (One hundred naira).
So 9ice, having gone through this, how well are you giving back considering the fact that many boys are still on the streets?
We did a show last year in Bariga on Christmas day. We realised that on Christmas Day Bariga can be so boring. So instead of letting the people go to Lekki to go and watch shows which many cant afford, we brought a show to them. It was a free show. Today we have provided free pipe-borne water people living on my street. And we are trying to do more. I have done the same for the community I live currently. I am still trying to do more, like sharing free textbooks to secondary and primary schools’ students through the 9ice Foundation.
Do you forgive people when they offend you?
Yes, definitely I do because even God forgives us when we offend Him. So I have to forgive and let go.
Have you forgiven Toni?
Most definitely, I can call her now. We are friends. If you want me to call her now, I will call her now.
Will you give love another chance?
Definitely.
With Toni?
No, it might not be with her but I will definitely give love a chance. And it might be with her as well, who knows?
So love between you and her is not ruled out?
Yes. It is not ruled out.
What about marriage?
To give marriage a second chance, abi? Yes, I can remarry. Of-course, it is possible.
You can remarry Toni?
It is possible. Anything is possible.
What are the expectations regarding your concert that is coming up in March?
People should expect me to sing songs from the new album. And it is been a long time that I did a live-band performance because a lot of people do not know that I started with a live band. That day I will be doing some songs live and King Sunny Ade and K1 ‘D’ Ultimate will be performing live on that day as well. And all the artistes that I featured on that album will be performing live on stage.
So what is the deal with Cecil Hammond’s FlyTime?
FlyTime is the one packaging this event for me as they have done for other artistes. I believe if this event scales through it is going to be like breaking a barrier and moving to the next level.
Wednesday, 1 February 2012
CHOP MY MONEY THE REMIX - M.O.P! u gat to listen to ds! nice tune#
Don't live ι̊η 60s ι̊η 2012. DOWNLOAD CHOP ♍Ɣ MONEY RMX BY M.O.P & PSQUARE #GBAM
Dwnload link: http://hu.lk/kg2dme5n4kc
TWITTER: @MOP_EMOWPEE
HIT d LIKE BUTTON 2 THIS PAGE
www.facebook.com/pages/MOP/221562284568134 -
HaPpY NeW MoNtH LoVaBlEs ({})
Share LOVE Not LOST...E fit cause Gbege #FACT
Dwnload link: http://hu.lk/kg2dme5n4kc
TWITTER: @MOP_EMOWPEE
HIT d LIKE BUTTON 2 THIS PAGE
www.facebook.com/pages/MOP/221562284568134 -
HaPpY NeW MoNtH LoVaBlEs ({})
Share LOVE Not LOST...E fit cause Gbege #FACT
DICTIONARY OF TERRYGZUZ! heheheheheh!
Terry G discovered these following vocal words, and have been accepted by International Academy of Vocal Languages (IAVL):
Tile tile - means a Lady or Baby, but not a Bitch or Whore ..
Chante Chante - means his Genre of Music ..
Ginjah - means the zeal or mode that drives someone to achieve his/her goal...
Swaggah - means your social class or activity.. Akpako - means a scope
Walangolo - means rotate your waist ..
Dunkololo - means to get down on the dance floor...
Skimpololo - means to go crazy..
Dangba - means a fool ...
Shoeshiner - means an illiterate ..
Bregedige - means jealousy ...
Oskengo - means a dullard .....
Ratatatata-means Alert
PRAA-means Alert,Wake up. Kpakam-means Na So (Fact)
IF u wanna know more of Terrys vocal words ff Terry G @terryGzus, @kissdmoney, ff m̶̲̥̅ƹ @03mediatohbadt
Tile tile - means a Lady or Baby, but not a Bitch or Whore ..
Chante Chante - means his Genre of Music ..
Ginjah - means the zeal or mode that drives someone to achieve his/her goal...
Swaggah - means your social class or activity.. Akpako - means a scope
Walangolo - means rotate your waist ..
Dunkololo - means to get down on the dance floor...
Skimpololo - means to go crazy..
Dangba - means a fool ...
Shoeshiner - means an illiterate ..
Bregedige - means jealousy ...
Oskengo - means a dullard .....
Ratatatata-means Alert
PRAA-means Alert,Wake up. Kpakam-means Na So (Fact)
IF u wanna know more of Terrys vocal words ff Terry G @terryGzus, @kissdmoney, ff m̶̲̥̅ƹ @03mediatohbadt
Sunday, 29 January 2012
PERSONALITY OF THE WEEK : DJ DEKODA.... its de koko oooooo!
Can we meet u sir?
Im Adekoya Gbenga and my stagename is Dekoda. I am a disc jockey and also into event management and artiste promotion. And also the CEO dekoda entertainment world (DEW)
How long have u been in the industry?
This year would be my 5th official year behind the wheels of steel.
Nice one sir. Have u ever had regrets about dj-ing. When was ur trying times and tell us ur most challenging moments behind the wheels of steel?
Yea.d only regret i can vividly rememba happened just few months wen i started. One ☺f Мy intimate frnds had two shows and he had to hand ova one to me. as at then,av got no instrument xcept Мy laptop. so, i hired instruments dat i tested before leaving for d show. gettin to d venue and playin for like 1hr,d instruments stopped working and dats was d end ☺f show. so dissappointing and i dat pushed me to work harder and harder to establish Мy name and cover for my fuckup. Woteva field u are, U def face one challenges or d other. D issue ☺f gettin instruments, breakin into d circle ☺f experts and bein consistent.
Tell us the big names in nigeria u av disc jockeyed for?
Bignames like, slim joe sabi,skalley and av perfomed alongside zeez,jahbless,durella,ojoro. my performances are alwaz crazy cos i take maself into d crowd...Im a dancer, i take masef to d dancefloor and mingle wit pple,comin back to s wheel again to control d floor.dts my strength anyway buh my craziest moment was wen i poured champagnes by evrybdy on d floor Ąπϑ my outfit was damn wet... i was given anoda outfit by a sure guy Ąπϑ ladies brot dia hand towels to clean Мy body
Soo, the ladies brought the towels, how do u cope with ur female fans?
Well well...itz a normal tin to Be luved by ur fans especially d females. I see it as a blessing from God cos his my creator. Ladies do show dia affections for my swag nd i treat dem wit respect. No hidden game buh i respect nd appreciate dem.dts all.
What should fans except soon from dj dekoda?
Like i said earlier, Im into Events Management, nw a rapper,songwriter n stil a Dj. Im dropping my single vry soon nd Im working onma my mixtape too. Djing is still inma blood nd my fans shud expect a rebranded dekodious hands on d wheel...
Thanks and God bless.
www.ofofomaster.blogspot.com CLASSIC! For the archives!
Im Adekoya Gbenga and my stagename is Dekoda. I am a disc jockey and also into event management and artiste promotion. And also the CEO dekoda entertainment world (DEW)
How long have u been in the industry?
This year would be my 5th official year behind the wheels of steel.
Nice one sir. Have u ever had regrets about dj-ing. When was ur trying times and tell us ur most challenging moments behind the wheels of steel?
Yea.d only regret i can vividly rememba happened just few months wen i started. One ☺f Мy intimate frnds had two shows and he had to hand ova one to me. as at then,av got no instrument xcept Мy laptop. so, i hired instruments dat i tested before leaving for d show. gettin to d venue and playin for like 1hr,d instruments stopped working and dats was d end ☺f show. so dissappointing and i dat pushed me to work harder and harder to establish Мy name and cover for my fuckup. Woteva field u are, U def face one challenges or d other. D issue ☺f gettin instruments, breakin into d circle ☺f experts and bein consistent.
Tell us the big names in nigeria u av disc jockeyed for?
Bignames like, slim joe sabi,skalley and av perfomed alongside zeez,jahbless,durella,ojoro. my performances are alwaz crazy cos i take maself into d crowd...Im a dancer, i take masef to d dancefloor and mingle wit pple,comin back to s wheel again to control d floor.dts my strength anyway buh my craziest moment was wen i poured champagnes by evrybdy on d floor Ąπϑ my outfit was damn wet... i was given anoda outfit by a sure guy Ąπϑ ladies brot dia hand towels to clean Мy body
Soo, the ladies brought the towels, how do u cope with ur female fans?
Well well...itz a normal tin to Be luved by ur fans especially d females. I see it as a blessing from God cos his my creator. Ladies do show dia affections for my swag nd i treat dem wit respect. No hidden game buh i respect nd appreciate dem.dts all.
What should fans except soon from dj dekoda?
Like i said earlier, Im into Events Management, nw a rapper,songwriter n stil a Dj. Im dropping my single vry soon nd Im working onma my mixtape too. Djing is still inma blood nd my fans shud expect a rebranded dekodious hands on d wheel...
Thanks and God bless.
www.ofofomaster.blogspot.com CLASSIC! For the archives!
Friday, 27 January 2012
OFOFO interviews W4... omoge waaa gba control!
**W4 EXCLUSIVE: 'A COUPLE OF LADIES JUST MADE STRAIGHT FOR ME AND DIPPED THEIR HANDS IN MY PANTS'***
The name Adewale Adepoju might not ring a bell to Nigerian music lovers, but mention ‘W4′, and there’s more than a flicker of recognition in the eyes of many youths who follow and enjoy urban Afro pop music. This Osun State native is currently the rave of the moment, especially with his latest track, a hit single titled ‘Kontrol’.
W4, or ‘Mr. Wonder’, is getting more and more attention from fans and others, especially with his re-branded Fela-esque image, even though he has been in the industry for a while now. In this interview with NET, he talks about his music, his art, his new image and how he handles the fame and, of course, the increased attention from women…
What was growing up like for you?
I grew up in a very strict household. My parents didn’t even know I was doing music until my first video. I was involved in a lot of social activities in my secondary school, under curfew you know. I had limited time I needed to be at home, limited time I needed to go out and all that. But I’m an example of a good character, if I may say so. Despite the fact that I was doing music, I never let it get to my head and disobey my parents; because that’s the way I was nurtured.
Your latest single ‘Kontrol’ is currently in heavy rotation in clubs and enjoys regular airplay both on the radio and television. Is this the kind of music you’ll be doing now?
Well, basically, I do R&B, but on my sophomore album which I am about to drop soon, you’ll find a lot of Afro influence. Basically, after I debuted my first album ‘Temperature’ in 2005, which had the big hit, ‘Solo‘, I was on tour in Europe under the Hypertek umbrella. And while I was touring the world, going to different countries, I used that time to re-think my strategy, on my music, brand and even personality. So basically I came up with the idea of infusing Afro into my music, my art and my dress code, in fact, into my entire persona. So, yes, to an extent, the music has been influenced by the great Fela Anikulapo Kuti.
Indeed it has, at least judging by your new look. Tell us about the costume..
Well I’d say it was of course inspired by Fela, and remains essentially the same, but with a little innovation on my part. Whereas Fela’s pants go all the way down, mine don’t. Fela’s pants don’t come with pockets, unlike mine. And my shirts of course is a bit different. If you call me a ‘trendy’ Fela, I wouldn’t mind much, because I have made so many youths come to love and identify with the Fela brand.
Is it right to assume you’re trying to bring this neo-Afrobeat back to the mainstream?
Afro never died, just like Fela never died, despite the fact that he is not here with us physically. So his relevance in music and the struggle is very much felt. But I am not trying to imbibe the whole Fela persona or character; I’m just mixing that with my R&B style. And you know the word is ‘innovation’, don’t forget, I do music and the business of music. I have love for the art and when you’re doing a business you need to create the right product, the right brand. And for me, creating this brand has given me a bigger niche in the industry and I’m being recognised faster now, if you even see my shadow, you’ll know I’m the one!
So far, how has the new image been accepted?
Of course a lot of people, especially the young ones appreciate it, even those who had not really heard of Fela or encountered him before now. They now take time out to study Fela a bit you know, to understand where I’m coming from. But they are already loving it, I blended the brand perfectly, colours, costume, you know, so yeah, they accept and enjoy it.
Has there been any word from the Kuti family, positive or negative, concerning your look?
The Kuti family and I have good rapport, especially after the release of the Kontrol video. I’ve met with all of them and it’s been good understanding between us. In fact they are proud that someone else is carrying on their father’s legacy and doing it well and they are proud of it.
Has the money been rolling in for you?
Well the brand is fresh and as far as money is concerned, well what can I say? We thank God (laughs).
How has the reception been from the ladies?
Well it’s been fun all the way, the love from both the male and the female fans has been awesome. But let me tell you, if the male fans are going gaga over the brand, you can imagine the reaction of the females. But basically I don’t segregate; putting them together makes me who I am, so yes, I got love for everybody.
What’s the craziest experience you’ve ever had with your female fans?
Well, and this was before even ‘Kontrol‘. I remember a show where I performed in UNILAG, quite a while back, and as I got into the crowd, a couple of ladies just made straight for me and dipped their hands into my pants and grabbed my crotch! I’m telling you. Now with the Fela persona and all, I’ve had ladies all trying to get a feel of me because my pants are a bit tighter and they think what they see here (motions towards his pubic area) is probably stuffed. I mean, dem go just put hand there dey feel am. I surprise no be small, because I even know some of the ladies but never thought they could do that. Some of dem na (Sound) Sultan de tell dem say I put foam there! (General laughter)
What was your reaction when you were groped during the
performance?
I didn’t panic or anything, I kept doing my thing, I be man na! (Laughter around).
‘Kontrol’ to a lot of people means many things but many think it’s sexually suggestive. What do you mean when you say ‘Omoge wa gba Kontrol’?
Well, Kontrol is a normal slang that has been around. To me, it just means good things. Everybody needs ‘kontrol’, I do, you do, everybody, even (President) Jonathan sef need ‘kontrol’. When performing this song, I make the ladies forget whatever problems they may be facing and use ‘kontrol’ as an outlet for them to unwind.
Is W4 in a romantic relationship, or are there any signs wedding bells may be ringing anytime soon?
No, and I don’t have any plan of going into such for now. My fans are my priority, so for me, a long term commitment or marriage is not in the cards for now.
Who are you working with on your second album?
Well, this my second album, which I titled ‘Mr Wonder’, features young and capable hands, very vibrant hands. I’m working with a lot of talented people, like J Fem, who created the Kontrol beat. Very fresh and vibrant. I also have J Sleek, Jiggy jeg, you know, a lot of them. Basically this album should be able to have something for everyone, both young and old.
If you weren’t into music…
(Cuts in) if I wasn’t a musician, I’d be a doctor. No doubt I’d have been a doctor; I always had a passion for that. But anyway, I am already a doctor, seeing as my music heals souls.
The concept for the ‘Kontrol’ video is unique. Was it what you visualised when you initially recorded the song?
Initially we (W4 and video director Clarence Peters) had a meeting where we discussed this. You know I’m the brand and I wanted some things to be in the video. I had a lot of concepts but I had to seek the director’s take too, you know, to bring his professionalism to bear. So me and Clarence (Peters) sat down and came up with what you will agree is a perfect video. Already, the song has picked up an award, the NMVA for best Afro video last year (2011), less than a month after the release of the video, so of course, it is sure going places.
So, looking ahead, what are the plans for the future, local and international collaborative efforts and all?
Of course I will be doing one or two collaborations, both internationally and back home, but you know, just keep your fingers crossed and watch as things happen. This is very important to me you should watch out for me, as I constantly continue to re-invent myself to bring out the best, even sixty years from now
The name Adewale Adepoju might not ring a bell to Nigerian music lovers, but mention ‘W4′, and there’s more than a flicker of recognition in the eyes of many youths who follow and enjoy urban Afro pop music. This Osun State native is currently the rave of the moment, especially with his latest track, a hit single titled ‘Kontrol’.
W4, or ‘Mr. Wonder’, is getting more and more attention from fans and others, especially with his re-branded Fela-esque image, even though he has been in the industry for a while now. In this interview with NET, he talks about his music, his art, his new image and how he handles the fame and, of course, the increased attention from women…
What was growing up like for you?
I grew up in a very strict household. My parents didn’t even know I was doing music until my first video. I was involved in a lot of social activities in my secondary school, under curfew you know. I had limited time I needed to be at home, limited time I needed to go out and all that. But I’m an example of a good character, if I may say so. Despite the fact that I was doing music, I never let it get to my head and disobey my parents; because that’s the way I was nurtured.
Your latest single ‘Kontrol’ is currently in heavy rotation in clubs and enjoys regular airplay both on the radio and television. Is this the kind of music you’ll be doing now?
Well, basically, I do R&B, but on my sophomore album which I am about to drop soon, you’ll find a lot of Afro influence. Basically, after I debuted my first album ‘Temperature’ in 2005, which had the big hit, ‘Solo‘, I was on tour in Europe under the Hypertek umbrella. And while I was touring the world, going to different countries, I used that time to re-think my strategy, on my music, brand and even personality. So basically I came up with the idea of infusing Afro into my music, my art and my dress code, in fact, into my entire persona. So, yes, to an extent, the music has been influenced by the great Fela Anikulapo Kuti.
Indeed it has, at least judging by your new look. Tell us about the costume..
Well I’d say it was of course inspired by Fela, and remains essentially the same, but with a little innovation on my part. Whereas Fela’s pants go all the way down, mine don’t. Fela’s pants don’t come with pockets, unlike mine. And my shirts of course is a bit different. If you call me a ‘trendy’ Fela, I wouldn’t mind much, because I have made so many youths come to love and identify with the Fela brand.
Is it right to assume you’re trying to bring this neo-Afrobeat back to the mainstream?
Afro never died, just like Fela never died, despite the fact that he is not here with us physically. So his relevance in music and the struggle is very much felt. But I am not trying to imbibe the whole Fela persona or character; I’m just mixing that with my R&B style. And you know the word is ‘innovation’, don’t forget, I do music and the business of music. I have love for the art and when you’re doing a business you need to create the right product, the right brand. And for me, creating this brand has given me a bigger niche in the industry and I’m being recognised faster now, if you even see my shadow, you’ll know I’m the one!
So far, how has the new image been accepted?
Of course a lot of people, especially the young ones appreciate it, even those who had not really heard of Fela or encountered him before now. They now take time out to study Fela a bit you know, to understand where I’m coming from. But they are already loving it, I blended the brand perfectly, colours, costume, you know, so yeah, they accept and enjoy it.
Has there been any word from the Kuti family, positive or negative, concerning your look?
The Kuti family and I have good rapport, especially after the release of the Kontrol video. I’ve met with all of them and it’s been good understanding between us. In fact they are proud that someone else is carrying on their father’s legacy and doing it well and they are proud of it.
Has the money been rolling in for you?
Well the brand is fresh and as far as money is concerned, well what can I say? We thank God (laughs).
How has the reception been from the ladies?
Well it’s been fun all the way, the love from both the male and the female fans has been awesome. But let me tell you, if the male fans are going gaga over the brand, you can imagine the reaction of the females. But basically I don’t segregate; putting them together makes me who I am, so yes, I got love for everybody.
What’s the craziest experience you’ve ever had with your female fans?
Well, and this was before even ‘Kontrol‘. I remember a show where I performed in UNILAG, quite a while back, and as I got into the crowd, a couple of ladies just made straight for me and dipped their hands into my pants and grabbed my crotch! I’m telling you. Now with the Fela persona and all, I’ve had ladies all trying to get a feel of me because my pants are a bit tighter and they think what they see here (motions towards his pubic area) is probably stuffed. I mean, dem go just put hand there dey feel am. I surprise no be small, because I even know some of the ladies but never thought they could do that. Some of dem na (Sound) Sultan de tell dem say I put foam there! (General laughter)
What was your reaction when you were groped during the
performance?
I didn’t panic or anything, I kept doing my thing, I be man na! (Laughter around).
‘Kontrol’ to a lot of people means many things but many think it’s sexually suggestive. What do you mean when you say ‘Omoge wa gba Kontrol’?
Well, Kontrol is a normal slang that has been around. To me, it just means good things. Everybody needs ‘kontrol’, I do, you do, everybody, even (President) Jonathan sef need ‘kontrol’. When performing this song, I make the ladies forget whatever problems they may be facing and use ‘kontrol’ as an outlet for them to unwind.
Is W4 in a romantic relationship, or are there any signs wedding bells may be ringing anytime soon?
No, and I don’t have any plan of going into such for now. My fans are my priority, so for me, a long term commitment or marriage is not in the cards for now.
Who are you working with on your second album?
Well, this my second album, which I titled ‘Mr Wonder’, features young and capable hands, very vibrant hands. I’m working with a lot of talented people, like J Fem, who created the Kontrol beat. Very fresh and vibrant. I also have J Sleek, Jiggy jeg, you know, a lot of them. Basically this album should be able to have something for everyone, both young and old.
If you weren’t into music…
(Cuts in) if I wasn’t a musician, I’d be a doctor. No doubt I’d have been a doctor; I always had a passion for that. But anyway, I am already a doctor, seeing as my music heals souls.
The concept for the ‘Kontrol’ video is unique. Was it what you visualised when you initially recorded the song?
Initially we (W4 and video director Clarence Peters) had a meeting where we discussed this. You know I’m the brand and I wanted some things to be in the video. I had a lot of concepts but I had to seek the director’s take too, you know, to bring his professionalism to bear. So me and Clarence (Peters) sat down and came up with what you will agree is a perfect video. Already, the song has picked up an award, the NMVA for best Afro video last year (2011), less than a month after the release of the video, so of course, it is sure going places.
So, looking ahead, what are the plans for the future, local and international collaborative efforts and all?
Of course I will be doing one or two collaborations, both internationally and back home, but you know, just keep your fingers crossed and watch as things happen. This is very important to me you should watch out for me, as I constantly continue to re-invent myself to bring out the best, even sixty years from now
Wednesday, 25 January 2012
OFOFO: IDCABASA TURNS MAN OF GOD
ACE MUSIC PRODUCER CUM MUSICIAN ID CABASSA TURNS GOD'S MINISTER
Story by AKINNAGBE AKINTOMIDE/NIGERIAFILMS.COM
Olumide Ogunade a.k.a ID Cabasa is synonymous with 9ice’s Gongo Aso, having produced all the tracks on that award winning album. That’s just one of his numerous hits.
Cabassa is a confirmed hit-maker as his bouquet of awards, received directly and indirectly testify. His hits range from Ajasa’s ‘O ti Ya’ and ‘Le Fenu so’ to Banky’s ‘Capable (Remix)’, ‘Shayo’ by Durella, ‘RuggedyBaba’ by Ruggedman and ‘Kpo Kpo di Kpo’ by Faze, just to mention a few.
The news now is that the suave looking beat merchant cum singer , has turned a new leaf and has been busy serving in the Lord’s vineyard.
According to sources, Cabasa, alongside nine other members of Global Impact Church were being recognized for their service to the ministry and also rewarded for their impact in the church. The father of two was also ordained as a minister in the church.
While fans and friends continue pouring encomiums on Cabasa for the new phase of his life, whether the gifted producer of secular music will give all up for God, is now the question on the lips of his many followers.
Story by AKINNAGBE AKINTOMIDE/NIGERIAFILMS.COM
Olumide Ogunade a.k.a ID Cabasa is synonymous with 9ice’s Gongo Aso, having produced all the tracks on that award winning album. That’s just one of his numerous hits.
Cabassa is a confirmed hit-maker as his bouquet of awards, received directly and indirectly testify. His hits range from Ajasa’s ‘O ti Ya’ and ‘Le Fenu so’ to Banky’s ‘Capable (Remix)’, ‘Shayo’ by Durella, ‘RuggedyBaba’ by Ruggedman and ‘Kpo Kpo di Kpo’ by Faze, just to mention a few.
The news now is that the suave looking beat merchant cum singer , has turned a new leaf and has been busy serving in the Lord’s vineyard.
According to sources, Cabasa, alongside nine other members of Global Impact Church were being recognized for their service to the ministry and also rewarded for their impact in the church. The father of two was also ordained as a minister in the church.
While fans and friends continue pouring encomiums on Cabasa for the new phase of his life, whether the gifted producer of secular music will give all up for God, is now the question on the lips of his many followers.
OFOFO : 2FACE speaks about his coming 6th baby. says he is a womanizer
'm a womanizer? I don't even know that I womanize" - 2face Idibia
"I didn't get this from my father. My father is not a
womaniser. That I know. I have never caught my
father with another woman. He is very faithful to my mother. I am also not a womanizer. Yes it
happens that I have more women in my life. It is
the price I have to pay for being a star.
I didn't plan to have more than one woman in my life. I didn't plan my life to be the way it is now but no regrets. I love my kids. Right now, I have three women in my
life who have five kids for me (and expecting a 6th
one) and I sincerely don't know how I'm able to
cope with three women.
Fela had over two dozen
wives but I'm not Fela. I can never be another Fela. I have three women but I'm saying a big NO to
Fela's kind of polygamy. I don't even know what
these women see in me (Oh yeah, Tuface? lol).
I used to look into the mirror sometimes and wonder, what it is
that they see in me." -
2face told a correspondant when
they asked him about womanizing and regrets.....
So he doesn't know why women want him? Dear
Tuface, you're good looking, you're talented, you're famous, you're humble, you have a great heart and you're rich. What more?
"I didn't get this from my father. My father is not a
womaniser. That I know. I have never caught my
father with another woman. He is very faithful to my mother. I am also not a womanizer. Yes it
happens that I have more women in my life. It is
the price I have to pay for being a star.
I didn't plan to have more than one woman in my life. I didn't plan my life to be the way it is now but no regrets. I love my kids. Right now, I have three women in my
life who have five kids for me (and expecting a 6th
one) and I sincerely don't know how I'm able to
cope with three women.
Fela had over two dozen
wives but I'm not Fela. I can never be another Fela. I have three women but I'm saying a big NO to
Fela's kind of polygamy. I don't even know what
these women see in me (Oh yeah, Tuface? lol).
I used to look into the mirror sometimes and wonder, what it is
that they see in me." -
2face told a correspondant when
they asked him about womanizing and regrets.....
So he doesn't know why women want him? Dear
Tuface, you're good looking, you're talented, you're famous, you're humble, you have a great heart and you're rich. What more?
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